Here
is where artists can find out how to submit songs or music cues
for consideration.
We offer an industry standard 50 / 50 split
deal.
We have exclusive 5-year sub-publishing in the following 22 territories:
Australia, New Zealand, Japan, Greece, South Korea, Germany, The
Netherlands,
Belgium, Austria, Switzerland, Spain, Portugal, Denmark, Norway,
Sweden, Iceland,
Poland, Estonia, Latvia, Lithuania, Argentina, and Chile.
We would not own your "songwriter" share. You collect
your songwriter broadcast royalties directly from your P.R.O.
("Performing Rights Organization" - such as BMI or ASCAP).
For more information on registering as a Songwriter with a Performing
Rights Organization please visit the BMI and ASCAP websites. You
may register with only 1 (not both).
BMI
www.bmi.com
ASCAP
www.ascap.com
Question and Answers
- Please read this entire section before submitting music to us.
Q. Do you automatically
own any of my other songs not listed on the contract?
A. No, we would not own any publishing percentage of any of your
other songs and you would be completely free to write new songs
for any other publishers, even during the 5-year term.
Q. If I have already registered my publishing
with BMI how do I change the registration?
A. To change your current publishing registration you just need
to write a letter to BMI (or ASCAP). Anyone currently
listed to receive publishing percentages must also sign your letter
in agreement to the changes. It may take several months for them
to update your changes.
Q. Are there any guarantees that songs will
get licensed?
A. We will make every effort to license your songs since that's
the only way we could possibly make any money from this. But no
Music Library or Publisher can guarantee your songs will get licensed,
since it's up to the Music Supervisor of a film to decide if your
song fits with any scenes. Also, the Director of the film or TV
show has the final say if they like your song or not. So we have
no control over whether or not a production company chooses to
license your songs. Our contract will state that if we do not
get any licensing deals during the 5-year term then all rights
shall revert back to you.
Q. How does Film and TV Music Library report
to an artist when a song gets licensed?
A. We will send you an email notifying you that your song was
chosen by a Music Supervisor.
Q.
What if I want to sell my own CDs or downloads on ITUNES?
A. Yes, you can continue selling your own CDs and downloads on
ITUNES, but you can not grant licensing rights to any online licensing
agents or 3rd party licensing agents, during the 5 years, for
the specific song (or songs) listed on the contract you sign with
us.
Q. What
are Mechanical Rights?
A mechanical right is the right to record and distribute (without
visual images) a song on a phonorecord for private use. Mechanical
rights or a mechanical license must be obtained in order to lawfully
make and distribute records, CD's and tapes. Recording rights
for most music publishers can be obtained from:
The Harry Fox Agency
205 East 42nd Street
New York, New York 10017
212-370-5330
http://www.harryfox.com
Q. How are mechanicals paid?
A. If we collect any mechanicals we forward that payment to the
artist. Normally
we only collect synch and master fees.
Q. Who collects the synch and master fees?
A. We are administering all synch and master fees and we collect
those fees from the production companies, licensing agents, or
any exclusive sub-publishers we deal with. We will send the artist
a check for 50 percent of the amount we collect.
Q. What are Synchronization or "Synch"
Rights?
A. Synchronization or "synch" rights involves the use
of a recording of musical work in audio-visual form: for example
as part of a motion picture, television program, commercial announcement,
music video or other videotape. Often, the music is "synchronized"
or recorded in timed relation with the visual images. Synchronization
rights are licensed by the music publisher to the producer of
the movie or program.
Q. What is a Music Publisher?
A. A music publisher works with songwriters to market and promote
songs, resulting in exposure of songs to the public and generating
income. Music publishers "pitch" songs to record labels,
movie and television producers and others who use music, then
license the right to use the song and collect fees for the usage.
Those fees are then split with the songwriter.
Q. What is the address for submitting songs
or music cues for consideration?
A. Here is our mailing address. Please do not email us MP3s.
We currently only accept audio CDs or CD-Rs through the mail for
consideration.
Film and TV Music Library
P. O. Box 1247
Redondo Beach, CA 90278-0247
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